Note: post contains affiliate link. I was not paid or given anything for free and all opinions are my own. The first Christmas we were together, at the tender ages of 16 and 17, I knit Tyler mittens and a scarf for a gift. For the 6 following Christmases and his early November birthday, I’ve always made him something, usually knit– a better scarf after the first one felted, reversible double knit hat with a Mythosaur skull (double knitting is a beyotch,) another pair of mittens after the first ones felted, a sweater with sleeves that would thrill a Doctor Seuss character, and a small, frayed quilt.
Having an early November birthday means double gift making in a marathon time frame– as soon as the birthday’s over, it’s a sprint to the next finish line. That means gift making usually starts sometime around September, so the “feel” of the gifts is always fall-oriented. Luckily, that aligns perfectly with his taste, because brown and forest green and neutral colors and a love for the outdoors is never so strong as in the fall. Last year, I decided that the tiny quilt from five years ago deserved a worthy replacement, and this half-square-triangle-Ron-Swonson-approved-queen-sized-beast was created. I knew for Tyler only two things would really matter in a quilt: size (big enough for his 6+ft frame to burrito himself in) and warmth.
My initial plan was flying geese blocks, enough for a queen sized quilt, but after reading Jeni Baker’s Patchwork Essentials: The Half Square Triangle (affiliate link) I switched gears and decided a “mock” flying geese (2 half square triangle blocks with dark colors together) would be much better. The book enlightened me to the 8 at a time method for making HSTs, and folks it changed my lyfe.
I ordered a fat quarter bundle of “High Adventure” fabric and added in a few favorites– “Sprinkle” from Cotton+Steel in Pickup Truck (the name alone would have made it perfect) and Counting Stars, and canoes from Trail Mix by Rae Ritchie. The neutral off white is Kona in Natural, which has tiny dark brown flecks in the weave that I just love. I wound up needing to order a few more half yards of some of the prints, but the 8 at a time method left very little waste from the fat quarters so I felt no guilt. I love the espresso colored Peppered Cotton from Studio E for backing, and as a special touch, Molly helped me embroider a gorgeous deer motif on a corner of the backing.
There’s so much I could say about sewing a quilt this size I’ll save it for a special post, but I will say this– being organized and taking the time to sew where you can get it is crucial. So is good TV for endless hours of cutting, chain piecing, trimming, ironing, chain piecing again, ironing again…
I had my sister and two of my brothers help me stretch, tape, and baste this thing. The internet is also helpful. Then I straight-line quilted it on my new Janome AMH M100 and even though I forgot the extension table, not a single seam twisted or puckered or folded and I think that machine is my best friend.
Is it weird that binding is my favorite part of the quilt making process? I hand bound this quilt because I was tired of sitting upstairs alone at my machine and wanted to hand sew next to the Christmas tree in front of Christmas movies. Also, hand binding looks so much better.
Wool batting has the loft and softness of polyester and warmth like a big, flat oven. I washed the whole quilt on delicate in cold water and it held up like a champ. Warning: it will smell like a dirty sheep when you open the washer machine. Relax, don’t take a deep breath, tumble dry it low and cool then air dry to get the final dampness out.
After it was done, I felt triumphant and relieved and frolicked with it in the snow to take these photos, thinking about how happy I was it was done and I wasn’t chained to a huge project with a deadline anymore. Then I made a dress (post on that soon,) passed my finals and medicated my stress with wine and tears and cookies.
He loved it, by the way, and was actually speechless, a feat I don’t take lightly.
- Pattern: Technique for HSTs from Jeni Baker’s book,”Patchwork Essentials: The Half Square Triangle”
- Quilt top fabric: “High Adventure” by Designs by Dani for Riley Blake, supplemented by “Sprinkle” from Cotton+Steel and canoes from Trail Mix by Rae Ritchie; Kona in Natural
- Batting: Quilter’s Dream Wool
- Backing: Peppered Cotton 108″ wide by Studio E
- Binding: Red buffalo plaid from “High Adventure”
- Quilting by: me, on my Janome AMH M100
- Number/size and type of blocks: 256/ 6.5″ half-square triangle blocks
- Finished size: 96″ x 96″